In 1984, the art philosopher Arthur Coleman Danto (1924-2013) declared the end of art history, but Arthur Danto was not pessimistic, because it also meant that anything could be art. The 1980s was also the golden age for animation and comics to flourish, which opened up a strong post-modern animation culture in the future. In such an atmosphere, we can discover the possibility of the development of contemporary animation and comic art, which seems to verify Arthur Dan.
Tor's prophecy. However, in 2018, Zheng telemarketing list Wen's exhibition at the Forbidden City aroused criticism. Jian Xiuzhi, the president of "Collection Magazine", wrote that [1] comics, as a kind of "popular" applied art, are not suitable for exhibition in international museums such as the Forbidden City. The meaning below is that comics, as a kind of "popular culture", are difficult to enter the "elegant hall" of art. This can't help but make people wonder, the future that Arthur Danto hopes for, we have really achieved it now, or have we met it?
The coupling of artistic end and contemporary animation In Arthur Danto's "post-historical era" discourse, contemporary art no longer has any historical barriers, and no art like Pop Art will be abandoned by Greenberg (Clement Greenberg, 1909-1994). Arthur Danto put forward an insight: "In the post-historical era, there are countless directions of artistic creation, and no direction is more privileged than the other, at least historically."